GREAT Theatre | Audition Form
Show:
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Parent/Guardian 1
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Parent/Guardian 2
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Audition Info
Height
Real Age
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4-6
8-10
11-14
15-17
18-20
21-25
26-35
36-45
46-55
56-65
66 and up
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Soprano
Mezzo
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Headshot
Please attach a front-facing picture of your head or head and torso, with just you centered in it. A photo from your phone is perfect (JPEG recommended - max upload size 8 MB)
Experience/Skills/Trainings
Play
Role
Year
Theater
Director
Acting Experiences (Combined)
Acting/Dance/Singing Experience
We want to get to know you! Please indicate any special talents on your audition form including but not limited to formal dance training, gymnastic skills, or musical instrument proficiencies.
Please check the audition information page for the show you are auditioning for to see if there are any special skills the creative team is looking for and indicate yours below.
Roles
Please review FULL CHARACTER DESCRIPTIONS on the website, paying special attention to
the specifics regarding staged intimacy.
Will you accept any role? Your response does not impact your chance of being cast.
Yes, please consider me for ALL roles. I will accept ANY role including Understudy.
No, for EVERY role below I marked whether I will OR will not accept it.
Will Accept
Not for me
UNDERSTUDY
An understudy covers a specific role in addition to their ensemble role. Understudies do not have scheduled performances as U/S, but will have rehearsal so they are ready to go on if needed. Accepting an U/S role will not affect your ensemble track. Presenting Gender: Any.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
FRANKLIN HART, JR.
Executive and a notorious chauvinist. He is capable of faking charm but usually shows his true colors as an arrogant, self-absorbed boss. Please see the full character description on website for info on characterization and intimacy expectations. Presenting Gender: Male. Age: 40 to 50. Vocal Range: C3 to Gb4.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
JUDY
The "new girl” at the firm; she has been burned by her husband's affair and is searching for personal empowerment. Insecure, but determined, and hopeful. Please see the full character description on website. Presenting Gender: Female. Age: 30 to 40. Vocal Range: Ab3 to F5.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
DORALEE
Young, sexy spitfire who works at Mr. Hart's office. Typically a “Dolly Parton”-type, she is proof that there is more to a woman than just her looks. Please see the full character description on website. Presenting Gender: Female. Age: 25 to 35. Vocal Range: G3 to E5.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
VIOLET
The company's Head Secretary and Mr. Hart's Administrative Assistant. She is a single mother and typically stands up for what she believes in. Attractive, strong, ambitious. Please see the full character description on website. Presenting Gender: Female. Age: 40 to 50. Vocal Range: F3 to D5.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
DWAYNE
He is very supportive of her professional pursuits. This role may require onstage physical intimacy with a female-identifying actor including hugging and kissing. The actor will likely perform as a member of the ensemble as well. Presenting Gender: Male. Age: Can play 25 to 35. Vocal Range: E2 to G4.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
JOE
Genuine and nice, and smitten with Violet. This role may require onstage physical intimacy with a female-identifying actor including hugging and kissing. Presenting Gender: Male. Age: Can play 30 to 35. Vocal Range: B2 to G4.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
JOSH
Violet’s awkward teenage son. The actor will likely perform as a member of the ensemble as well. Presenting Gender: Male. Age: Actor is required to be 18+, but should be able to appear aged 15 to 19.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
ENSEMBLE
Singers and dancers with high energy to play various roles and be office workers. Presenting Gender: Any.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
TINSWORTHY
Franklin Hart's boss and Chairman of the Board. A good man, who may be wiser to Hart's ways than he lets on. This role may be asked to perform as a member of the ensemble as well. Presenting Gender: Male. Age: 50 to 65.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
MARGARET
A secretary in Hart's office with a tendency to drink. This role requires the actor to be comfortable with appearing drunk onstage. This actor will likely perform as a member of the ensemble as well. Presenting Gender: Female. Age: 30 to 40. Vocal Range: G4 to D5.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
KATHY
A secretary in Hart's office with a tendency to gossip. The actor will likely perform as a member of the ensemble as well. Presenting Gender: Female. Age: 30 to 45.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
DICK
Judy's soon-to-be ex-husband. An average guy, but perhaps sporting a little less hair and a little more paunch than he did ten years ago. The actor will likely perform as a member of the ensemble as well. Presenting Gender: Male. Age: 35 to 45.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
MARIA
A young and vibrant secretary in Hart's office. The actor will perform as a member of the ensemble as well. Presenting Gender: Female. Age: 25 to 40. Vocal Range: F4 to D5.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
MISSY
Franklin Hart’s wife, clueless to her husband’s true nature. The actor will likely perform as a member of the ensemble as well. Presenting Gender: Female. Age: 30 to 50.
isRoleSelected
isRoleNotSelected
Will Accept
Not for me
ROZ KEITH
She has an unrequited love for Mr. Hart and will do anything she can to win his approval. This actor may be asked to perform dance moves in the style of a striptease, though no level of undress will be required. Presenting Gender: Female. Age: 35 to 45. Vocal Range: G3 to C5.
isRoleSelected
isRoleNotSelected
Roles Selected
Roles I Will Not Accept
I have the time and interest to perform in this production. I understand that if I drop from the show, it could be a factor in future casting at GREAT.
I agree
If not cast, would you like to be contacted about being in the crew? (for ages 14+ only)
Yes, I am 14+ years old and would like to be contacted to participate in the crew for this show if not cast.
No, I am not old enough or interested in participating in crew for this show if not cast.
Rehearsal Schedule & Conflicts
Our rehearsal schedule is below. Please mark any conflicts you have with these dates.
Rehearsals are extended once onstage at the Paramount the week of the show. Please check your calendar and check any dates when you cannot attend a rehearsal, so we can schedule rehearsals for specific scenes to minimize conflicts. Not everyone will be called for every rehearsal.
Available
Not Available
Availability Summary
Rehearsal Availability
Rehearsal & Performance Schedule
Please closely review our rehearsal and performance schedule below.
You may need to scroll to view all dates.
Please check your calendar and
mark any conflicts you have with these dates
when you cannot attend a rehearsal, so we can schedule rehearsals for specific scenes to minimize conflicts.
All tech rehearsals and performances are required for all cast members.
9 TO 5 AUDITION INFO MEETING (via Zoom) Wednesday, July 23rd from 7:00p-8:00p AUDITIONS Friday, August 1st from 6:00p-9:00p Saturday, August 2nd from 10:00a-3:00p CALLBACKS Saturday, August 9th from 10:00a-3:00p COMPANY MEETING Wednesday, August 13th from 6:00p-9:00p REHEARSALS Friday, August 15th from 6:00p-9:00p - CHOREO INTENSIVE Sunday, August 17th from 12:00p - 6:00p - CHOREO INTENSIVE Monday, August 18th from 6:00p-9:00p - CHOREO INTENSIVE Tuesday, August 19th from 6:00p-9:00p - CHOREO INTENSIVE Wednesday, August 20th from 6:00p-9:00p - CHOREO INTENSIVE Thursday, August 21st from 6:00p-9:00p - CHOREO INTENSIVE Monday, August 25th from 6:00p-9:00p Tuesday, August 26th from 6:00p-9:00p Thursday, August 28th from 6:00p-9:00p Tuesday, September 2nd from 6:00p-9:00p Wednesday, September 3rd from 6:00p-9:00p Thursday, September 4th from 6:00p-9:00p Saturday, September 6th from 12:00a-4:00p Monday, September 8th from 6:00p-9:00p Tuesday, September 9th from 6:00p-9:00p Wednesday September 10th from 6:00p-9:00p Thursday, September 11th from 6:00p-9:00p Saturday, September 13th from 10:00a-4:00p Monday, September 15th from 6:00p-9:00p Tuesday, September 16th from 6:00p-9:00p Thursday, September 18th from 6:00p-9:00p Saturday, September 20th from 10:00a-4:00p Monday, September 22nd from 6:00p-9:00p Tuesday, September 23rd from 6:00p-9:00p Thursday, September 25th from 6:00p-9:00p Saturday, September 27th from 12:00p-4:00p Monday, September 29th from 6:00p-9:00p Tuesday, September 30th from 6:00p-9:00p Thursday, October 2nd from 6:00p-9:00p Saturday, October 4th from 12:00p-4:00p Monday, October 6th from 6:00p-9:00p Tuesday, October 7th from 6:00p-9:00p Wednesday, October 8th from 6:00p-9:00p Thursday, October 9th from 6:00p-9:00p Saturday, October 11th from 10:00a-1:00p LOAD IN Saturday, October 11th from 2:00p-10:00p Sunday, October 12th from 12:00p-8:00p TECH/DRESS Monday, October 13th from 5:00p-10:00p Tuesday, October 14th from 5:00p-10:00p Wednesday, October 15th from 5:00p-10:00p Thursday, October 16th from 5:00p-10:00p PERFORMANCES Friday, October 17th from 5:00p-10:00p (7:30p Performance) Saturday, October 18th from 12:30p-4:30p (2:00p Performance) Saturday, October 18th from 6:00p-10:00p (7:30p Performance) Sunday, October 19th from 12:30p-4:30p (2:00p Performance) Friday, October 24th from 6:00p-10:00p (7:30p ASL Interpreted Performance) Saturday, October 25th from 12:30p-4:30p (2:00p Performance) Saturday, October 25th from 6:00p-10:00p (7:30p Performance) Sunday, October 26th from 12:30p-4:30p (2:00p Performance) Thursday, October 30th from 12:00p - 4:00p (1:30p Performance) Friday, October 31st from 6:00p-10:00p (7:30p Performance) Saturday, November 1st from 12:30p-4:30p (2:00p Performance) Saturday, November 1st from 6:00p-10:00p (7:30p Performance) Sunday, November 2nd from 12:30p-4:30p (2:00p Performance) Strike Following
Conflict notes
I have reviewed the rehearsal schedule and have the time to commit to this production. I have marked my conflicts in the field above. I understand that if conflicts arise after rehearsals begin, it may impact current and/or future casting at GREAT.
I agree
I have reviewed the rehearsal schedule and have the time to commit to this show. GREAT understands that your time is very valuable and will do everything we can to make a schedule that maximizes your time.
I agree.
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Agreements
I agree to follow all safety guidelines put forward by GREAT Theatre. I agree to release, indemnify, and hold harmless GREAT Theatre as well as all GREAT Theatre employees, agents, representatives, successors, etc. from all losses, claims, theft, demands, liabilities, causes of action, or expenses, known or unknown, arising out of my participation.
I agree
I understand that some meetings and rehearsals may take place via Zoom and may be recorded for internal/educational use. If cast, I give GREAT Theatre permission to use images of me to promote GREAT Theatre and list my name, photo, and bio on GREAT’s website, social media accounts, and show program.
I agree
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If you have any questions please contact Jake@GREATTheatre.org.
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